An interesting rarity from the trio version of CCR. Tom Fogerty had left CCRover a year earlier and now it was John Fogerty,Stu Cook & Doug Cliffordleft to carry on.But this concert was near the end of the road for CCR.

1. Victor Yturbe Piruli

They broke up later thatyear.This is a VERY RAW Soundboard recording. If you are used to only the CCR heardon the radio,this might be a shock somewhat.Everything sounds stripped down.

The guitar especially sounds raw.The performance is fantastic. For a band nearing the end of the line,you can'ttell by listening to this concert.A rare recording nonetheless.1-Introduction.2-Born On The Bayou.3-Green River/Susie Q.4-It Came Out of The Sky.5-Door To Door.6-Travelin' Band.7-Fortunate Son.8-Commotion.9-Lodi.10-Bad Moon Risin'.11-Proud Mary.12-Up Around The Bend.13-Hey Tonight.14-Sweet Hitch Hiker.15-Keep On Chooglin'.1972-04-11. 'Proud Mary' - 3:072. 'Bad Moon Rising' - 2:183. 'Susie Q' - 4:354.

Victor Yturbe Piruli

'Up Around the Bend' - 2:405. 'Run Through the Jungle' - 3:096. 'Good Golly Miss Molly' - 2:387. 'Someday Never Comes' - 3:598. 'Commotion' - 2:419. 'Who'll Stop the Rain' - 2:2710.

'Green River' - 2:3211. 'I Heard It Through the Grapevine' - 11:0412. 'Lodi' - 3:0913. 'Lookin' Out My Back Door' - 2:3114. 'Have You Ever Seen the Rain?' - 2:38Disc Two1. 'Travelin' Band' - 2:072.

'Down on the Corner' - 2:433. 'Born on the Bayou' - 5:104. 'Cotton Fields' - 2:535.

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'Hello, Mary Lou' - 2:116. 'The Midnight Special' - 4:107. 'Walk on the Water' - 4:268. 'Bootleg' - 2:589. 'Hey Tonight' - 2:4310.

'Fortunate Son' - 2:2011. 'I Put a Spell on You' - 4:2512. 'Sweet Hitch-Hiker' - 3:0713. 'Night Time Is the Right Time' - 3:0714. 'Long as I Can See the Light' - 3:32 1980 -12-xx.

Born On The Bayou2. Green River3. Who'll Stop The Rain6. Hey Tonight8. Band Presentation9. Long As I Can See The Light10.

Down On The Corner11. Looking Out My Backdoor12. Cotton Fields13. Tombstone ShadowCD 21.

Heard It Through The Grapevine2. The Midnight Special3. Bad Moon Rising4. I Put A Spell On You6.

Fortunate Son7. Have You Ever Seen The Rain8.

Traveling Band9. Run Through The Jungle10. Up Around The BendLink:2008. Creedence ClearwaterRevival 40th aniversary. Porterville (2:17)02.

Call it Pretending (2:10)03. (part 1) (4:38)04. (part 2) (3:52)05. Put a Spell on You (4:33)06. Walk on the Water (4:42)07. Proud Mary (3:12)08. Born on the Bayou (3:50)09.

Bad Moon Rising (2:21)10. Lodi (3:13)11. Green River (2:36)12. Commotion (2:42)13. Fortunate Stop (2:21)14.

Down on the Corner (2:42)15. Travelin' Band (2:08)16. Who'll top the Rain (2:28)CD2:01. Run Through the Jungle (3:09)02. Up Around the Bend (2:41)03. Long As I Can See the Light (3:31)04.

Lookin' Out My Back Door (2:34)05. Have You Ever Seen the Rain? Hey Tonight (2:42)07. Sweet Hitch-Hiker (2:57)08. Door to Door (2:06)09. Someday Never Comes (4:02)10. Tearin' Up the Country (2:16)11.

I Heard It Through the Grapevine (single edit) (3:52)12. Good Golly, Miss Mol (2:45)13.

Revolutions Pre Minute (part 1) (3:19)14. Revolutions Pre Minute (part 2) (7:20).

© 2016 Universal Music Mexico S.A. This Compilation ℗ 2016 Universal Music Mexico S.A. De C.V.Why buy on Qobuz. Stream or download your musicBuy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.

Zero DRMThe downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for youDownload your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF.) depending on your needs. Listen to your purchases on our appsDownload the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. Women Composers: A Secret HistoryFrom Sappho of Mytilene to Kaija Saariaho, music history has been marked by female figures who “dared” to write music. Is creation a male privilege? Our sound museum does hold more well-known and recognised male than female composers.

Yet their works are no less exciting and there is absolutely no reason for them to play second fiddle, or be ignored altogether. Below, you’ll find a defence and illustration of female composition works through eleven musical portraits.